Columnists and magazines that a month ago were saying #NeverTrump are now vibrating with the frisson of his audacity.PHOTOGRAPH BY PETER VAN AGTMAEL / MAGNUM
“Vice is a monster of so frightful mien, / As, to be hated, needs but to be seen,” the poet Alexander Pope wrote, in lines that were once, as they said back in the day, imprinted on the mind of every schoolboy. Pope continued, “Yet seen too oft, familiar with her face, / we first endure, then pity, then embrace.” The three-part process by which the gross becomes the taken for granted has been on matchlessly grim view this past week in the ascent ofDonald Trump. First merely endured by those in the Republican Party, with pained grimaces and faint bleats of reluctance, bare toleration passed quickly over into blind, partisan allegiance—he’s going to be the nominee, after all, and so is our boy. Then a weird kind of pity arose, directed not so much at him (he supplies his own self-pity) as at his supporters, on the premise that their existence somehow makes him a champion for the dispossessed, although the evidence indicates that his followers are mostly stirred by familiar racial and cultural resentments, of which Trump has been a single-minded spokesperson.
Now for the embrace. One by one, people who had not merely resisted him before but called him by his proper name—who, until a month ago, were determined to oppose a man they rightly described as a con artist and a pathological liar—are suddenly getting on board. Columnists and magazines that a month ago were saying #NeverTrump are now vibrating with the frisson of his audacity, fawning over him or at least thrilling to his rising poll numbers and telling one another, “We can control him.’
No, you can’t. One can argue about whether to call him a fascist or an authoritarian populist or a grotesque joke made in a nightmare shared between Philip K. Dick and Tom Wolfe, but under any label Trump is a declared enemy of the liberal constitutional order of the United States—the order that has made it, in fact, the great and plural country that it already is. He announces his enmity to America by word and action every day. It is articulated in his insistence on the rightness of torture and the acceptable murder of noncombatants. It is self-evident in the threats he makes daily to destroy his political enemies, made only worse by the frivolity and transience of the tone of those threats. He makes his enmity to American values clear when he suggests that the Presidency holds absolute power, through which he will be able to end opposition—whether by questioning the ownership of newspapers or talking about changing libel laws or threatening to take away F.C.C. licenses. To say “Well, he would not really have the power to accomplish that” is to misunderstand the nature of thin-skinned authoritarians in power. They do not arrive in office and discover, as constitutionalists do, that their capabilities are more limited than they imagined. They arrive, and then make their power as large as they can.
And Trump announces his enmity in the choice of his companions. The Murdoch media conglomerate has been ordered to acquiesce; it’s no surprise that it has. But Trump’s other fellow-travellers include Roger Stone, the Republican political operative and dirty-tricks maven, while his venues have included the broadcasts of Alex Jones, a ranting conspiracy theorist who believes in a Globalist plot wherein “an alien force not of this world is attacking humanity”—not to mention Jones’s marketing of the theory that Michelle Obama is a transvestite who murdered Joan Rivers. These are not harmless oddballs Trump is flirting with. This is not the lunatic fringe. These are the lunatics.
Ted Cruz called Trump a pathological liar, the kind who does not know the difference between lies and truth. Whatever the clinical diagnosis, we do appear to be getting, in place of the once famous Big Lie of the nineteen-thirties, a sordid blizzard of lies. The Big Lie was fit for a time of processionals and nighttime rallies, and films that featured them. The blizzard of lies is made for Twitter and the quick hit of an impulse culture. Trump’s lies arrive with such rapidity that before one can be refuted a new one comes to take its place. It wasn’t his voice on that tape of pitiful self-promotion. O.K., it was—but he never mocked the handicapped reporter, he was merely imitating an obsequious one. The media eventually moves on, shrugging helplessly, to the next lie. Then the next lie, and the next. If the lies are bizarre enough and frequent enough, they provoke little more than a nervous giggle and a cry of “Well, guess he’s changed the rules!”
He’s not Hitler, as his wife recently said? Well, of course he isn’t. But then Hitler wasn’t Hitler—until he was. At each step of the way, the shock was tempered by acceptance. It depended on conservatives pretending he wasn’t so bad, compared with the Communists, while at the same time the militant left decided that their real enemies were the moderate leftists, who were really indistinguishable from the Nazis. The radical progressives decided that there was no difference between the democratic left and the totalitarian right and that an explosion of institutions was exactly the most thrilling thing imaginable.
The American Republic stands threatened by the first overtly anti-democratic leader of a large party in its modern history—an authoritarian with no grasp of history, no impulse control, and no apparent barriers on his will to power. The right thing to do, for everyone who believes in liberal democracy, is to gather around and work to defeat him on Election Day. Instead, we seem to be either engaged in parochial feuding or caught by habits of tribal hatred so ingrained that they have become impossible to escape even at moments of maximum danger. Bernie Sanders wouldn’t mind bringing down the Democratic Party to prevent it from surrendering to corporate forces—and yet he may be increasing the possibility of rule-by-billionaire.
There is a difference between major and minor issues, and between primary and secondary values. Many of us think that it would be terrible if the radical-revisionist reading of the Second Amendment created by the Heller decision eight years ago was kept in place in a constitutional court; many on the other side think it would be terrible if that other radical decision, Roe v. Wade, continued to be found to be compatible with the constitutional order. What we all should agree on is that the one thing worse would be to have no constitutional order left to argue about.
If Trump came to power, there is a decent chance that the American experiment would be over. This is not a hyperbolic prediction; it is not a hysterical prediction; it is simply a candid reading of what history tells us happens in countries with leaders like Trump. Countries don’t really recover from being taken over by unstable authoritarian nationalists of any political bent, left or right—not by PerĂ³ns or Castros or Putins or Francos or Lenins or fill in the blanks. The nation may survive, but the wound to hope and order will never fully heal. Ask Argentinians or Chileans or Venezuelans or Russians or Italians—or Germans. The national psyche never gets over learning that its institutions are that fragile and their ability to resist a dictator that weak. If he can rout the Republican Party in a week by having effectively secured the nomination, ask yourself what Trump could do with the American government if he had a mandate. Before those famous schoolroom lines, Pope made another observation, which was that even as you recognize that the world is a mixed-up place, you still can’t fool yourself about the difference between the acceptable and the unacceptable: “Fools! who from hence into the notion fall / That vice or virtue there is none at all,” he wrote. “Is there no black or white? / Ask your own heart, and nothing is so plain; / ’Tis to mistake them, costs the time and pain.” The pain of not seeing that black is black soon enough will be ours, and the time to recognize this is now.
ah, what would it be like to walk through 'The Museum Of Myself?' very embarrassing, i'd think. true, i always wanted to be a cultural hero, yet when i get right down to it, the attention would have locked me up in where i've been instead of where i'm going. i'm a browser, so this information age is meant for me. for example, i've always enjoyed the art and energies of Friedensreich Hundertwasser, and austrian painter and ecological evangelist. he put his work where his mouth is. here's a delightful, if rather too much, video on youtube (you can find many more):
looking at everything he did, i feel like a schlemiel. how do i justify myself? at the moment, sitting on top of a mountain, the snow flailing around the lookout, i keep doing the dangerous thing of asking, 'what does it all add up to?' Goethe and everyone of consequence, says, 'you can only complete your work and self in solitude.' unfortunately, that fit all too well with my hermetic nature. SO IT'S ALL OVER? the portugese poet Fernando Pessoa, said, 'Don't lose touch with your own mythology.' and i do have such a package of illusions, and Mark Twain said, 'Don't give up your illusions. You'll still be alive, but you won't have a life.' just having had my 76th birthday by accident, an event very unreal to me, i'm trying to find excuses for myself, a way to go on. this morning i viewed the different trails i've taken. i did learn to write poetry and plays and to direct plays. i did enough travelling to feel like an expert, though i'm not. and about the last fifteen years of photography, i can look through the photos and not blush. once i even wrote songs, took singing lessons, and got to a coffee house status. then i gave it up. performing music for me too social. forty years writing, a few months singing, giving a few stand up comedy speeches, fifteen years taking a million pics a year. hmm, i'm starting to think quite well of myself, especially since i find pleasure in my own creations. would too much applause have stopped me in my tracks? being very thin-skinned, i've always thought so. and i wanted to go on poking around in my own inner world. alas, i seemed finished with the tasks i've set myself, very aware my words will not grace a Parthenon or be spoken in a cathedral. right now i know i'm a speck of sand on the beach. that given, i think i may have discovered a new task: living each day as though it were a small lifetime, like a butterfly. separating today from all others days makes it significant, special somehow. every time i leave my body for a memory, i pull myself back to feel the tingle of my toes, the light sinking into my eyes. and as a footnote, i've watched the documentary "Finding Vivian Meier" on netflex six times. a woman who worked as a nanny and took thousands of street photos, which she put in storage and died. luckily, an acolyte found the negatives and she's world famous. as those who knew her said, 'she would have liked the work having recognition, but the accolades would have made her shrivel up like a raisin.'
i very much appreciate your weekly column. with all your ideas of how the human form can adapt to a toxic situation on earth and chemical ones on other planets, you provide hope for the future of the species. it may not be a pretty picture, however when a dinosaur morphed into a bird, did it care or even notice? all it wanted to do was survive. alas, or unfortunately, the people writing you wannabe scientists. they ask about flips and buttons, managing joints and trajectories. in other words, nerds. i too am in that category, having invented and patented a machine to feed unruly children. that has been perfected to my satisfaction and the company's. i would like to ask a more personal question. you see, i'm old enough to die respectably, many of my acquaintances and friends have already departed to zone 2. and having made my contribution to the human family, i can consider my life a success, in the ordinary way. on the other hand, i've been working to put together the creature of my life into an even more shining order, if only for myself and the press. i'd like to leave an image of what the ideal life (human being) can be. my first attempt, thanks to thomas edison, turned out to be a light-bulb. built of bright, clear glass with adequate illumination, it could be used as a lighthouse, perhaps in outer space. our depleted atmosphere so thin and shallow, it could shine like a star. but, even though i've picked the brightest shining moments of my own history to construct it, the shell very fragile. i don't think it would even survive one take-off. setting it aside, i worked with the leftover, rather nasty stuff. i thought, why not, dr. frankenstein did? i had hoped to convert lead into gold. it, instead, looked like a cross between an alligator and a sponge. if i were setting up an alternate universe, i might be able to use it somewhere. as an object meant to inspire mankind under present evolution, it might undo the great work you've done to provide hope. well, what do i do with a light bulb and an alligator sponge? could i put the monster the bulb, letting the light transform the ugly creature into a magnificent, tough brilliance? i tried it. again, failure. i could only send the deformed to other planets, a image of horror. okay, the light bulb into the monster. that held promise. maybe the scaly skin and porous sponge could protect my divine light and the light transcend all other examples. this got me in trouble with the local authorities. the lucid, stunningly lit house with teeth scared the cats in the street and the neighbors. i had to shut down the operation until i could get the permits to resume, and this city is tough. now i'm sitting on the couch, aging and with conjecture trying to at least come up with a metaphysical concept. after all, everything begins with an idea. only i haven't got one, the reason i'm writing you. how does one create a image of their own life they can happily die with? a tremendous puzzle, don't you think, and worthy of your attention? hopefully you will get to this message before i'm gone. i'm trying like hell to hold on until i can be elevated with a smile on my face.