Wednesday, October 13, 2010

how to be an artist in a perverse world?

after two years in europe as an army brat, i arrived in the philidelphia train station. the noise overwhelmed me. the hustle and bustle set my nerves on edge. what was this insane place with billboards blinding the eyes?

that was 1956. europe's changed. america's gotten worse. if the artist's job to keep all the pores open, the ears wide, and the eyes piercing, how can he or she survive this cacophony?

van gogh cut off his ear. i suspect here he would have cut off both of them and plugged up his nose with lavender. creative folks have a reputation for madness. now you know why. it's nothing personal.

as you know, i climb to a mountain-top every summer. above the foetid air of the valley, my lungs can recover. of course, i take lots of meds and supplements. L-tyrosine, folic acid, different kinds of fish oil, all boosted by prozac and welbutrin.

why do i have to? this is the land of the dysfunctional family. that means most people by no means equipped to become parents. too young, their tempers fray at having children. every adult becomes a time-bomb when it comes to kids. o sure, we dote on them when they're two and somebody else's. the wise elders realize birthing babies extends their nervous system into an independent body. what hurts it destroys them and they've no control.

these semi-robots absorb sugar like alcohol! they speed up and bounce around the room like atoms gone mad. and my point: these the painters, writers, and photographers to be. high-wired how can they be open to the music of spheres as well as the incessant white noise of the highway?

personally, i sleep with ear-plugs. at least i can hear what inner rhythms i have, though the ringing i have in my ear from being slapped by a girlfriend never leaves. our civilization only values what be can be measured. silence has a weird way of escaping us.

new pictures: