my biggest problem: i can never take my own advice. i know what to do. then i'm too lazy to actually do it! they say, "a journey of a thousand miles starts with one step." how true! yet that initial move inhibited by my fear of getting on the wrong path, of committing myself to an endeavor i will most certainly find dangerous or pointless, having wasted half a lifetime to reach an unsatisfying goal. (Carl Jung said, "we shouldn't underestimate the power of laziness.)
how do i overcome my lethargy? i really have a bad memory for what works. i do know i have been inspired by copying, like an artist drawing old statues or famous paintings and making them her own. i have a friend who copies chinese ink paintings, the results beautiful. he doesn't really know what they are. Are they his own or merely false interpretations? ah, but what is important, every evening he retreats to his desk and becomes an ancient sage.
if he were too concerned with results, he probably wouldn't do anything, yet the process is its own reward. a choreographer told me i liked process more than results, whereas she focused on the latter. of course, that's one reason i've never become famous. i have completed a lot of projects (fifty books of photos, letters, poems, plays, novels, on amazon). once done, i do find them satisfying. i enjoy, especially, reading my own poems. often they make me laugh. what could be better than that?
unfortunately, i filled a five by ten foot storage space with at least fifty boxes of journals, notebooks, photographs, manuscripts, and asorted creations - and then i turned eighty. my god, what would i do with all this stuff! in the end, i've thrown out practically all of it, saving two boxes and sending them to my niece for family history. sure, i hope to be discovered. still, i feel now i'm a light-weight. not that i regret writing and filming so much. i have the bulk of results on external hard-drives. my choice of discards: what merely reflected process.
by that i mean diaries, sketches for plays, journals, etc., everything i felt reflected 'mere' preparation. this might have been of interest to a scholar, but every dying artist who hasn't made a name for himself needs an advocate, someone to preserve and promote the heritage. i have one friend doing this for her deceased artist-husband. it's taken her several years of concentrated work to catalogue the mountain of creations: drawings, watercolors, journals, writings. she's created a website. now comes finding an institution to house the rest.
recently, at a session devoted to how to keep your work alive once you are dead, an artist said, "recently four artists in town have died - and all their work is gone.' this, of course, is a good reason to devote myself to creation for its own sake. gardening is the most popular hobby in the country and the best physical exercise! for good reason: you can eat the results. alas, avid gardeners usually produce too much, eager to give it away, if they can find takers.
yes, ultimately, for most part, i have enjoyed the process. getting up at five in the morning for days on end, or struck by a certain call from the personal genie anytime whaling away on a collection of poems with a theme (i hardly ever wrote a solitary poem). the book FLOW by Mihaly Csikszentmihalyi tells the secret. once i get going, there's no stopping me: not worries about fame or results, nothing related to my image in the world. i expected to be a famous playwright someday and didn't have the right personality. to hell with it!
when i get depressed, i know i'm too inhibited and lazy to take the first step. just doing something will usually change my mood. these days, having thrown out so much, it's difficult to make a move. if i could just draw one line, it would lead to a work of art. if i could put down a few words, it would lead to a poem. i know the right answer to the question: how do i get started? its really easy if i take delight in the dictionary, as i did in the old days. i need to put on a french chanson and soon i'm sent spinning off from france in the fifties into my own heaven.
for Linda
