Thursday, January 1, 2009

the wine of life


this is the fourth attempt. three times completed blogs have disappeared. now i feel like crying. it could be the wine. i've taken to drinking a glass in evening. if the french live longer...


but maybe it's merely an excuse to forget, a return to childhood, when someone else was paying the bills. (the true source of all addiction). maybe we never really grow up, even if we become responsible adults, sire offspring, dedicate ourselves to the good.


personally, i feel at five years old we were doing what we wanted to do: building mythical cities, acting out worldly dramas, reading books with beautiful illustrations. if we could only recover that impulse and put it action. maybe we would find god in the closet and invent fire.


truly, i avoid longing and popular songs. timothy leary, as he was fading away, said, 'senility is underrated.' and the ancient chinese believed you were blessed if you had a bad memory.


it makes sense. forgetting hurt, you can love again. forgetting failure, you can act graciously in the present. at the same time, when i listen to the recording of my mother recounting my childhood, i feel relieved. yes, i've lived and had a life. or i feel i've been loved, and that's enough.


i've spent my house-sitting xmas going to museums, living in history and watching life imitate art. you can see the results here:




for the new year i wish you nothing but good luck. that's all we truly need.


love, wayne


it all happens at once

the news is such a drag. all it does is give you disasters you can do nothing about. true, it can be entertaining, but more often it's merely disturbing. and most of it is merely speculation about what might happen!



if you read the headlines only, you know all you need to know: BOMBS DROPPED, BABY TRAPPED, HURRICANE HITS THE COAST. the repetition is absolutely maddening.



and the worst thing, it clogs up your ability to think for yourself. at seventeen i decided you either watch tv or do something with your life. i've watched very little since. movies seem to me more true and always shed a bit of enlightenment. have you ever heard anything from a news commentator worth remembering?



as bob dylan said, more or less, 'vague and useless knowledge.'



i'm being cranky cause i suddenly lost the blog i was writing, mainly, i feel, to the news suddenly invading the living room. and yet it's strange, i once found news comforting. it made me feel i was part of the world. yet, i suppose, i resent it will go on without me.



the lost blog described the blessings of forgetting (a chinese concept). when we forget hurt, we can love again. when we forget childhood when all our bills were paid, we can find a way to enjoy being on our own. and timothy leary sad, as he was fading away, 'senility is underrated.' and a nurse friend said, 'bleeding to death is a very pleasant way to go.' all this reverses the common conception.



why be reminded you once wanted to be a movie-star, an astronaut, president? the dream you have today may be the best one of all. you've learned something from life. maybe if you're a terrible, nasty person hated by your family and friends, you'll become a benine buddha thru alzheimer's? it happened to a friend's aunt.



perhaps this year the best you could do is to forget the past. what do you think?



personally, i've been haunting museums during the holiday season. boy, it feels better to remember someone else's history than my own. wouldn't you rather be recalled as a greek statue, a coutire hat, a zen poet?



my wish for you during the new year is the joy of forgetting. turn off the tv and visit an art exhibit. i guarantee it will be good for your soul and your spirit.



and you'll have a happy new year.



photos: www.pbase.com/wwp/museum





Sunday, December 14, 2008

fiction is the only reality


where does our hunger for stories come from? isn't it odd how a movie can shake us awake, a poem can suddenly bring us back to where we are, a fairy tale sum up our life?


when i tumbled off my bike for the umpteenth time and injured my knee (they say you finally feel old when you have a wound that can't be healed), i resorted to numerous sessions of acupunture. this particular practitioner would weave me into the tales she told like an expert hypnotist. perhaps she got the idea from the teaching pieces of milton ericsson.


i wrote a few of my own: www.pbase.com/wwp/trances


both believed a story could circumnavigate our defenses, getting us to really listen. after all, part of our training is not listening to parents, teachers, the state, and an infinite number of wise-guys. being told what to do becomes an anathema, so we eventually don't even listen to ourselves.


consider religion. christ was a poet, that's one reason he had such an effect. and the adventures of our divine heroes captivates us and leads us to attempt similar lives. this goes for sports gods and movie stars. if buddha hadn't lived such a good story, or muhammad, would we listen to what they have to say? I much doubt it. arduous episodes, miraculous escapes, unbearable suffering, these get our attention.


the writer thomas berry once said we need a new story. alas, they aren't that easy to come by, not without the gesture of a human being caught in a divine act and situation. we must be able to identify. then we become larger, stronger, and better than we are. yet, without vulnerablity, a superman doesn't interest us.


along with this notion of identification comes my theory breaking the circle of our thoughts. we become trapped in the way we personally see things. every premise leads to the same conclusion. we can't escape believing we know what is real. a good story (movie, play, dance) takes us into another chain of events with unexpected outcomes. people come up with solutions we didn't think possible. and when we walk out of the theater, the world feels refreshed. the myth has brought us to the point of physically feeling the sunlight, smelling the freshness of the rain, and setting our feet more firmly on the ground.


speaking of dance, i've been taking pictures for several weeks. and i realized during the dress rehearsals, the only dance i couldn't get my head around was the first one. as lively and colorful as it was, it told no story (all the rest did) and so i couldn't find images to sum it up. lacking a storyline, it didn't awaken my sleeping imagistic reserves, the power of my imagination. i took fewer of it than any of the other dances.


the most powerful influence on me: those childhood picture books. i can still see certain pages in my mind. i've never wanted to do more than create those of my own, that magic.


you can scan the dance pages at www.pbase.com/wwp


and i've just added a story of the campus rose garden, following the dictum photograph what you love. www.pbase.com/wwp/rose2






Saturday, November 29, 2008

the way it is (for most of us)


i've been wanting to pass this on for the longest time. but i didn't want to scare the young or depress the old. alas, this is the best description of our lives that i've ever read. it's by bill jay, a photographer who writes for lenswork magazine. read at your own risk!


In recent weeks an unsual number of casual conversations with wannabe artist have harped on the same theme: "I'm still searching for what it is I want to do"; "I want to be poet/painter/writer/photographer or...but, no, I haven't I haven't actually written or created anything yet"; "I feel creative but i cannot decide what to create."


Give me a break. These are energy-vampires. I'm so tired of trying to appear interested in such self-indulgent whining (whingeing for those of you in Europe). So, one last time here's my answer to them, and to you, young photographer, ever-hopeful that the world is waiting for your art while you are waiting for your inspiration.


Certitudes do not exist. There is not one field, one specialization, that is destined for you. Chances are that you are not great at anything; most of us are just average, ordinary. Life's early peregrinations willy-nilly land us onto an unexpected habitable patch in the mud of everydayness. That's where you get to work; you sow, build, and procreate right there. You might occasionally notice that life seems easier, more glamorous, more rewarding somewhere else, but you ignore the fantasy. You dig deeper, plant more, right where you are. That's it.


You don't think that I have my own fantasies of what might have been? Perhaps with earlier luck, money, contacts I could have changed the world, done something important? Of course I believe I was destined for greatness in some other field, where I could enrich the lives of millions. You think I would have chosen, in the best of all possible worlds, that I would have spent so much of life's time and energy in thinking, writing, talking and practicing photography? You crazy? Who gives a shit? I could have given up every aspect of my photographic life at any point in the past and no one would have noticed.


Yet, yet...I have no regrets. This is where I landed and every day I am content to turn my attention to the small, even trivial, tasks at hand. I am content, and I pity those who are still wondering and wandering. I just don't want to hear about it.




at the moment i'm taking pics of the preparation for chico dance theatre's performance this next week.




Sunday, October 26, 2008

the strange case of the vanishing lookout


how often are we willing to throw our identity up in the air, to scatter the cards, let them fall where they may? it's not really easy to do. one has to be mad, or careless, desperate, or in high spirits. if i can't play with who i am, i am not doing very well.


in a place and time long, long ago, i realized people give up being artists for basically two reasons: 1. they don't want to spend so much time alone. 2. they don't want to reveal themselves.


since we're primates, we tend to hang out with others. freud, in his later years, decided the strongest human urge was to be part of a small group. and way, way back, as soon as a tribe got too large, they split in two. we see this happen yet today, everyday.


yet, can a creative thought emerge without lots of dreamy time in isolation? if we're trying too hard to solve our problems, we wake up in the middle of the night, unable to sleep. without letting go into the land of illogic we can't even rest. many have said we die alone. perhaps eternal peace requires it.


as for revealing ourselves, it's part of the same plight. to be too odd is to be cast out into exile. luckily, these days, we can fit in somewhere. anything seems registered on the web. for example, you have a fetish for steam-pipe fittings. google it and you're no longer alone. around the world, out of six-billion plus people at least a dozen have a passion for crawling through passages underground, despite the claustrophobia and the heat.


in fact, it's almost impossible to be completely alone these days. even the mad have their many friends. and hermits tune into the internet without even knowing it. once you've been acclimatized, it's damned difficult to drop out of the human weather.


still, from time to time we try. two nights ago i ran around attempting to take pictures of my own ghost, www.pbase.com/wwp/vanish dividing into multiple characters. they look like me, but... was i simply bored with thinking i'm always the same, that i know myself better than i should?


buddha said we live in a world of illusion. well, our world couldn't be more buddhist, more 'virtual.' trying to escape ourselves, we find ourselves. seeking ourselves, we run out of gas in a dali desert.


these pictures are a typical case: www.pbase.com/wwp/bacon. during a few moments last summer, after reading six books on francis bacon, i decided to find out what the bacon persona existed of. is that me i see? good gravy, it's a shame, but i can really allow myself only to distort myself. i'm too conscious of hurting other people (most of the time) to do the same to them. even bacon painted from photographs of friends, knowing how disturbing they'd find his images of them to be.


a final note: c.g. jung felt much of our energy a prisoner of our 'shadow' side. that darkness might hide goodness or evil, whatever we personally dare not express. perhaps you get energy from being swept along with the crowd. on the other hand, maybe there's merely a limpness and distance in you which allows this to happen.


certainly, if you show the sides nobody knows, you risk ending up alone, cast out of the tribe. these days you may not die, but it still doesn't necessarily feel great. even the unibomber sent out destructive messages in order to connect with the weird world he envisioned.


you can find more new summer photos at www.pbase.com/wwp/smoke


the forecast is for snow on friday, six days away. i'm pretty much packed up, though today is warm and cloudless. see some winter lookouts from the air at


Sunday, October 12, 2008

life's a gamble


that's the way i felt wandering around reno last week. here are a few pictures




the center of town around the casinos has always been seedy. the new indian casinos in california have drawn away the crowds. gradually these old casinos have begun to close.


i've always liked reno. when i worked the lookouts at lake tahoe, i'd drive down for the day, wander the university campus, lose a few coins. compared to the gambling at the lake, it felt more real.


my first season over the water i worked at zephyr cove. very fancy homes were being built across the street. not what you'd expect at a lookout. as i circumnavigated the lake last week, i passed under zephyr and could barely see it for the houses!


stateline lookout no longer exists. my brother and sister-in-law visited the site and say it's a very nice park. fair enough. it's a great place for weddings, and i had a lot of them, one with a string quartet. being right above casinos, i could practically hear the slot-machines. i'd go inside and look in amazement at the people pulling the uprights of the one-armed bandits. for better or worse, i limited my personal participation.


but i did think a lot about the nature of luck. and since my whole life's been a gamble, i guess dropping coins in the slot not necessary. here's one meditation on the subject, written at the northshore:




and thoughts of turning lead into gold seemed to go with the place:




even this last week, i had fantasies of walking into a joint, plopping down a nickel, and walking out with five thousand dollars. that's the way they make suckers of people like me.


let's see, what would make a good aphorism? gamble with your life, but not with your money? oscar wilde would like that.

Saturday, October 4, 2008

learning to live in spaceships


i've been accused of having way too many theories! theories about men and women, theater and politics, even about the nature of reality (does it really exist?). these accusations made me finally give up writing. what's the point if nobody's listening? i call this 'the cassandra complex'.


however, despite my desire to take pictures and not talk, i can't help myself. partly this is due to mortality. now, i'm sure nobody wants to hear what the sum of their efforts, anxieties, and pleasures will be! this isn't the middle ages, after all, though one writer on photography feels we're heading for a pre-renaissance period where we begin to think and act in terms of symbols and magic.


perhaps this is part of the 'seals on the beach' syndrome, everybody constantly talking on cell-phones and rubbing up against each other in subways, a primitive way of tribalism where individuality doesn't exist. suddenly we've lost our hard-won external self. and as always, the survival of the species is at the heart of it.


so, spaceships? yes, learning to live in little cubicles on artificial food, with electric light and recycled water. in this way those who leave an unlivable and desecrated planet will be able to adjust to encapsulated conditions until they, hopefully, reach another sphere in which they , hopefully, will do a better job.


since nothing can be proven or dis-proven about the existence or non-existence after our personal death, i feel we can believe whatever we want, as long as we don't force that belief on others. for myself, repeated lifetimes makes a nice paradigm. thus, next time, i'll be a doctor on a spaceship, for which i am presently preparing myself. medicine is evolving rapidly and it will be much more of a pleasure to practice it a hundred years from now.


i'm continuing my http://www.thegreatcourses.com/ with a new series:




yes, the body, how we fail, how we heal.


this is not all for the future life. i'd like to figure out the aging process for myself, now, what can i do to preserve myself in a healthy state for awhile longer. each time i went to my storage space last week, i thought of my friend roger dying in the keeper's house, surrounded by his family. and of course, he'd ask for the oxygen to be turned off so he could have a cigarette. and two weeks ago, my friend dave, who took care of this lookout, retired and the next day found out his cancer had re-occured after eighteen years. all people are mortal. wayne is a person. therefore...


these two courses have been extremely helpful (not finished with them yet):






maybe it's time to pay a little more attention to science!


but back to poetry. here are two pieces, one long and one short, where i broach the subject of life after life on earth.






and i've posted new summer photos at: www.pbase.com/wwp/smoke